I like to think of my images as a kind of photographic unconscious, a letting go in which the familiar is felt as dream-state – sometimes pastoral and serene, sometimes filled with fiery light, and other times dark and brooding. For me, at least, these images become visual archetypes of mood and emotion.

With most of these digital images, the basic form is captured by panning the camera during a long exposure. By surrendering some of the control of more static image making, the camera sees the world in less predictable ways. The unique movement of each pass renders a singular visual moment.

I then digitally enhance color and light, and sometimes  blend the image with a mix of textures taken from a variety of sources. The choice of textures might give an image the feel of anything from an old tintype to worn leather to a fading fresco.

Each image is printed with archival pigment inks on archival paper, or in some cases on aluminum, and sold in limited editions of signed and numbered prints.